Welcome to my Archtop Guitar Project Blog

The Archtop, or "Jazz Box", is a unique style of guitar. It has a complex design, and a sound that one might say can only come from such a design. Having never built a guitar of any kind before (unless you consider a ukulele to be a guitar) I have decided to jump right in up to the neck and start with the archtop. When I tell this to people, the normal response is something like, "have you ever built a guitar before?" or "so, you have a pretty good idea how to do this, right?". My usual reply is, "nope". I do, however, make a point to assure them that I have built many kinds of things, using many different materials, and I consider all constructions to have a logical and understandable process.

So, if you're interested in "newbe" projects like this, then grab a fresh cup of coffee or tea and follow along. The earliest post shows the design I'm going for.

**UPDATE TO INTRODUCTORY TEXT** You will see as the posts progress from earliest to newest that a few modifications and compromises have been made. As with all learning experiences, this project has allowed me to work out any problems with a design that have not been foreseen on paper. I also welcome any input from readers/followers who have some experience in either building or playing guitars that will point out potential problems.

Wednesday, May 23, 2012

Dot

 Remember when I said I was a low tech kinda guy? Well, that really is true. The inlay dot for my tailpiece was cut by hand, using only an X-acto knife, and bit of sandpaper to clean the edges up (not quite complete in the pic here). I used a flat-bottomed drill to make the recessed cut for the inset (making sure beforehand that my disk and the drill were the same size of course). You can barely see the shallow recess I made in the ebony.
The insert is now in place, and all that is left to do is level it flush with the ebony and smooth it all out. I used cyanoacrylate (super glue) to set it. That is what the little streak down the back end is from, where I wiped the excess away with a cloth. That sanded off very easily, and left no discolouration.

The little drawing you see here is what I want the finished inlay to look like. The dot is essentially a transmission point, and the concentric curves out from it represent "radio waves". I'm considering using the same motif on the fingerboard. The motif also recalls the fermata I was considering using a while back. I liked the fermata, but I found it was too static for the freehand kind of look I was going for.

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